Fun with Instant Sketch

I'm always looking for fun and differenct (and free or almost free) apps to load on my iphone, and this one is a winner: Instant Sketch. It's just another variation on a photo sketch tool, but it does precisely what I want with a miminum of settings to tinker with. This will be a great app to share in my COMPUTER TO CLOTH workshop at El Cielo this April, since it's an easy way to go from photo or collage or artwork to a completely black-and-white line drawing. You can alter the line hardness and softness, and add or subtract deep blacks. 

The image above is from this letter collage set and shows the possibility for using this app with art/collage and text, as well as its intended use with photos. I've posted a couple of those examples below, as well.

You can choose an HD or SD (definitions high or standard) for your output and email the images or share via FB.

The sketch above is from a cropped version of this photo (you can crop and scale in the app, too, or take a photo on the spot).

 

Well, other than the wrinkles, it all works. And I did earn everyone of them!

Artist Journey/Artist Journal

What is it we want in our creative lives? Why bother with art? Working as an artist, whether as a full-time vocation, a parttime avocation or an occassional when-I-can-fit-it-in whimsy takes some measure of commitment. It's far easier in this era of consumerism, digital distraction and financial pressure to sit on the sofa or under the covers with one or more devices pouring words, images, sounds, stories and distraction into our brains. Easier, that is, than using our hands and minds to make words, images, stories and sounds of our own. I don't make judgements about the tools used or the media -- paper and pen, digital camera and keyboard, cloth and dye, paint and canvas, tabletop and kitchen stove -- any will do. 

But I do think we all need to keep our creative selves alive and thriving. That some part of us withers and dies without exercise. And that takes a plan. That's why its become a tradition around El Cielo Studio to offer a workshop each January to allow me (and those who come for the facilitated experience) time to reflect, plan and set goals. Make calendars. Imagine what's needed to make it easier to get to the studio. 

I confess, my January calendar-making reminder forms don't often make it through the entire year (but I know one workshop participant who has been a faithful adherent to the format she set last year), but I do know that even a few months of on-target, on-track creative work gets me off to the start I need for the year. GIves me momentum and reminds me to keep at it. Whatever it is.

In preparation for the January 20-21 workshop (see the last post for the full calendar), I thought I'd share one of the exercises that has proven helpful and insightful for the process.

Where I am right now - Make a circular pie chart of your life as you are living it now:

1. Start with a circle on a large piece of paper.

2. Divide the circle into equal wedges for WORK, PLAY, ADVENTURE, CREATIVITY, BODY, MIND SPIRIT. (OR any other set of categories you prefer. (Or make two different circles if that makes more sense to you)

3. Draw, write, collage fast images from magazines, add colors, lines, patterns to each wedge. 

4. Put a dot, star or sticker in each wedge describing how satisfied or how much time and attention you spend in that sector of your life -- the closer to the center, the less satisfied or less time/attention; the closer to the circle edge, the more satisfied, the more time and attention you spend. You might even want to do these as two different dots or stars, if time and attention is not aligned with satisfaction (oftenr the case). Then connect your dots with a bold line. What shape are your dot-driven circles? How wobbly is your life? 

5. On a separate paper, or on the areas of the paper outside the circle, list 5 things you could do in the  coming year to even out your wobbly circles. 

I don't think our lives are always in balance in the short term. I don't even think they should be -- sometimes work or family or adventure takes over. But in the long term, we want satisfaction in each of these areas. And it takes work -- mostly attention --  to keep the wheel round, the circle spinning.

Artist Retreats at El Cielo Studio

 

Coming to a workshop near me!

Finally I have determined my winter and spring workshops and looking forward to resuming these this January. I took a break during the fall -- partially for family duties, partially because I had some exciting contract work to do. But I'm looking forward to seeing a group of friends and artists here monthly and hope you'll be among them. If you want a downloadable copy of the flyer, click on the file on the sidebar (it will be up by the end of day!)

Here are the workshops in short:

"Nurture your creativity as you come away from a weekend with renewed energy, new  materials and techniques in surface design applicable to fiber, ceramics, jewelry, painting and mixed media work. Susie Monday leads artists’ retreats and workshops throughout the year at her studio near Pipe Creek, Texas, about an hour from downtown San Antonio. El Cielo Studio workshops are designed with the needs of the participants in mind;  free time is scheduled throughout the weekend for reading, reflection and personal work in the studio. You are welcome to bring projects in process for Susie’s critique and for peer feedback in an environment of trust and respect. You’ll share meals, poetry and stories, music and advice for living an artist’s life. Enjoy the 25-mile vistas from the deck and strolls down the country roads. The fee for each workshop retreat is $175 for a 2-day event with discounts for early enrollment. Comfortable accommodations are available from $15 -  $30 per workshop. Most workshops offer a Friday night potluck option. Limited enrollment. Most supplies included. 

To register, call 210-643-2128 or email susiemonday@gmail.com

Susie has taught creative process and art techniques to adults and children for more than 30 years. Her art is in numerous private and public collections around the world.

ARTIST JOURNEY/ARTIST JOURNAL

JANUARY 20-22

(optional Fri. night potluck & critique session)

This annual workshop has become a tradition at El Cielo Studio. Spend the weekend in creative activities that help you set the stage for a 2010 filled with productivity, imagination, focus and artistic goals. Using original and time-tested exercises gleaned from sources around the globe, we’ll banish procrastination, make an annual love letter, work on a goals and artist date calendar for the year, and find ways to remind us of what really matters in our artistic lives. Meanwhile, you’ll work with mixed media and surface design techniques to start your artist’s journal.

FROM HEART TO ART; PERSONAL MARK-MAKING 

FEBRUARY 10-12

(optional Friday night potluck & heart-centered gentle yoga session)

In this workshop, you’ll start with common and familiar symbols -- like the heart shape of Valentine’s Day for example --  and through a series of creative generative exercises, you’ll make something new and different to incorporate into your design, composition and surface design. And then, in honor of the season, make some one-of-a-kind Valentines, too. Tools and techniques explored include paper lamination on fabric, hand-cut stamps, and gelatin plate monoprints.

TEXT ON  TEXTILES

ONLINE course at JOGGLES.com

MARCH 15- APRIL 12 includes 4 fully-illustrated weekly lessons, plus a bonus week, $45

Have you ever wanted to incorporate a favorite word, poem or quote into an art quilt, garment, art doll or other textile project -- going beyond simply writing or embroidering the text? This surface design/mixed media class will give you a set of process tools for making text and words an integral part of artfully designed fabrics that you can use in a wide variety of projects. Starting with design exercises, you’ll learn three specific techniques for transfers of text, words and writing to fabric using ink-jet printing, polymer medium and textile paints. 

CALLING ALL ARCHETYPES 

MARCH 23-25

(optional Friday night potluck & work-in-progress critique)

 Spend some time thinking and working on using your inner crew for work and support. In this workshop we’ll explore archetypes, inner voices, gut reactions and their influence on your art and art-making with lots of improvisational exercises to loosen up your approach to art. Make a small artist's altar using fabric and mixed media techniques including mono-printing, collage and digital printing on fabric to remind you of a practical and sacred part of your life. (artist altar frame, $10 supply fee)

MORE WORKSHOPS: 

April 13-15, FROM COMPUTER TO CLOTH.

And at Southwest School of Art: FINDING YOUR ARTIST VOICE,  Monday afternoons, Feb 6-March 26 

WHAT PARTICIPANTS SAY ABOUT SUSIE’S CLASSES & WORKSHOPS:

“ The exercises we did this weekend were freeing on the one hand, but will also help me focus.”

“This workshop was a fabulous, uplifting, nurturing environment to create in. The journaling was particularly helpful, I would definitely recommend it to a friend.”

“This weekend was totally awesome! I am humbled by Susie’s talents, her teaching abilities and her hospitality. I will come back as often as possible.”

www.susiemonday.com

210-643-2128

3532 Timbercreek Road

Pipe Creek, TX 78063

Read Susie’s blog at http://susiemonday.squarespace.com

What You Want to Learn

Are you stuck with your art work, or trying to build a better studio practice? Or maybe you don't have room to do what you really want to do in your home studio. Perhaps there is a surface design technique you want time to master, or a series of work that needs your committed attention... What do you want to learn, right now, at this time in your creative life?

You could solve those problems -- or at least take a stab at them by signing up for the class I'll be teaching this semester at the Southwest School of Art: Independent Studies in Textile Art.

Class Sessions: 8, Monday, Sept. 26 - Nov. 14, 9:30 am to 12:30 pm

Maximum: 10

Location: Surface Design Studio | Navarro

With the assistance of the instructor, each student will design a personal investigation of a surface design technique and creative approach to fiber art, making samples first, then culminating in the design and production of a fused, pieced and/or whole cloth art quilt. Techniques available for exploration include soy wax batik, screen-printing, dyeing and discharge, photo image transfer or combinations of several techniques. This class is suited for students who have had some exposure to fiber art, but any level of experience is acceptable. Supply lists will be developed with individual students. Some basic studio supplies are provided.

Fee: $240 (non-member)

This is how this course will work: the first part of class #1 will be devoted to discussion of what each participant wants to gain, whether a specific technique or motivation, inspiration, good practice or other less tangible results. With one-on-one discussion with me, you'll plan your 8 weeks of study, develop a supply list, and help me develop my schedule of introductory lectures and demos for the course.

The class is held in the spacious surface design/mixed media studio at the school, and there will be a large 8' by 4' work table for each participant. The wet studio is well supplied with dyeing chemicals and easy-to-use wash out area, and a washer and dryer are also available for use. There is a thermofax machine (I'll have supplies available for purchase) and a large light table, a Bernina sewing machine for free-motion stitching, batik equipment, and design boards to use as you work. Just access to this studio can jump start your work into a new dimension.

Thereafter, each class will start with 15 minutes of critique and discussion of work done the previous week, a 30 minute demo/lecture or slideshow of inspiration and examples, and then 2 hours will be yours to work with my advice, assistance, critique and demonstration of techniques at needed. At the end, we'll spend 15 minutes together sharing and planning goals for the week to come.

If you have a project in mind, great! If you want just to play with some new ideas, techniques and materials, that's great, too. Just think of this as training time for your creative practice. Hope to see you there.

P.S. I will not be teaching until November at my El Cielo Studio.

P.P. S. If you are a member of Fiber Artists of San Antonio and don't want to miss the Monday morning meetings, I will work with you to plan an individual make-up session for classes you miss for the meetings.

More Mermaid

The Lisa Call online workshop "Working in a Series" is doing its work on me. Deadlines work for me. Here's the first assignment completed. I won't give a lot of details as to the assignments, as that is proprietory information that is part of the course, but I will say that this one pushed me to a piece of work that I really like and that combines the kind of graphic clarity with my patterned texture work that is hard for me to find. 

Keeping at it, this will be the first of a new Sirena series, with five or six new large pieces to result (this [pieceis about 4' by 5'). I feel like I am breaking out of a long, slow slump into some new energy in my work. I find that the right teacher and the right learning experience for me can really help me in my studio practice. As artists, we spend a lot of time in our own little heads, solo. Having to interact in a creative setting, being the follower instead of always being the leader offers a certain kind of vacation, a kind of social interaction that is very valuble for my creative process.

I was once asked by a teacher/artist whom I really respect why I continue to take workshops. She doesn't, feeling that her focus is set and self directed, and that taking classes is a waste of energy and direction, can take her off her track. I don't feel that way -- first, I teach a lot of intro technique classes and some workshops are fodder for that mill -- I need to keep up on the latest and greatest. But others, like this one that I am taking now, are real soul food. Something I need to feed my artist self and to keep me honest, to keep me on task, to remind me of what is important in my work. 

Yes, choose carefully. Avoid being a workshop junkie, using courses and workshops to avoid forging ahead on a personal path. But a well-chosen workshop, retreat or class can be just what the spirit ordered. A time to give over the reins for a time, a time to refresh the creative flow, to have deadlines outside of one's own choosing (and divorced from "entry" deadlines that have their own baggage of procrastination) and even a time to make mistakes, to do "not-so-perfect" work and to have a failure or two!

Two Weekends for Play and Passion

Not to mention: pears, peaches, pool (cool), plenty, and well, just lots of fun.

Coming up: July's Play Art and Attention and August's El Cielo Workshop will be hot-as-lava, fired-up with spirit and full of heat-based artcloth techniques that take advantage of the weather, the countryside and the grand vistas to inspire a new perspective on life, the artist's path and your place on the road.

First, we'll put play to the work of imagination and inspiration, with a variety of surface design techniques and creative exercises that open up possibilities for all kinds of new mixed media on paper and fabric. AND, we'll take a mid-year look at your annual art goals, how to reinvigorate your artistic studio focus, and set up some targets to hit with intention. Play and focus come together with a bit of yoga, some time in nature, and your hands in a zappy happy mix of new and fun materials.

In August, spend a couple of days exploring heat related techniques: textile paint sun-printing, rusting (afterall, a slow oxidation -- or burning -- process) and kitchen utensil and vegetable printing. We'll put your new fabrics together in a small art quilt art  Kitchen Altar, using a wooden frame and stitched work. Enjoy an August retreat from city's heat -- sure South Texas and the Hill Country are hot even up here in on the ridge, but it's always 10 degrees cooler at night than in the asphalt-ribboned city (and there's the pool, too). 

We'll be taking advantage of the  heat, with dye processes, using batik on fabric and to create screen-printing and more. Use the heat of the season to ignite your creative imagination, enjoy a convivial time with other artists and feast on the bounty of the season (some of it from El Cielo's own new veggie garden). 

If you're interested in making artcloth like the ones you see here

PLAY, ART AND ATTENTION

July 29-31

Making time to play with odd-ball materials; learning to focus upon artful tasks at hand -- sounds like opposite sides of the coin? At this exploratory and full-of-play weekend, we’ll explore the relationship between the time, play, art and focus. Where does time management intersect with open-hearted fun? Expect bubbles, playdough, sparklers, jello, yoga and seeing the world from new angles and attitudes. 

BURNING WOMAN WORKSHOP

August 19-21

Embrace your inner goddess of summertime. Design and make a small art quilt “altar” for kitchen or dining room with tools and materials that depend on heat, sunlight and passionate delight: sun-printing, vegetable prints, fusing, hand and machine stitching and “found” fabrics from attic, thrift store or kitchen closet. We will recycle napkins, tea towels and other like objects and design a thermofax featuring a meaningful symbol, favorite fruit, icon, saint, culinary heroine, angel or other meaningful design as the centerpiece for the altar. 

For more information, email me with the contact form on the sidebar. 

Developing an Idea for Textile Art

Thanks to my friend artist Rosa Vera, who sent me these shots after a recent workshop at El Cielo, I have a nice documentation of some design work "in progress." 

This workshop -- designed and executed for a group of four working artists who get together for occassional studio time -- was focused on developing an image through different tools and media, with drawing, cut paper, collage, etc. It was play time with a purpose. 

I was working alongside the group, demonstrating, but also taking my own image of a dried up cactus pad (dessicated after the hard winter freeze) though the process. The final result was a small art quilt -- you'll see that at in the final picture. The only thing I don't have is an image of the original cactus pad -- I'll try to find it and post it later. Thanks Rosa, for the photos.

Above is the final piece, still in progress. I made the thermofax from one of the pen and ink drawings, drew on the cut out shapes for the applique pieces and played with a color palette from some previously monoprinted fabrics. Will try to find the original and the final soon!

Mark it up as Success/FUN/Beautiful

Last weekend's Markmaking Workshop at El Cielo took us all on a path to beautiful, deconstructed screen-printed fabrics. Each of the participants worked from a visual motif, developed in a half day of cut, paste and draw, then adapted it to different tool-making and technical processes.

And of course, we ate well, swam, set and looked, walked dogs (at least Linda and I did!) and talked and shared our lives. Thanks to Margaret, Heather, Mary and Ellen for all the creative energy flying through El Cielo. 

Here's just a few photos from the weekend. (Don't you love these panoramas, created by Linda with a new app on her iphone 4.)

 

 

 

From Photo to Fabric

Time is running out to register for the next Photo to Fabric workshop at the Southwest School of Art:

The workshop is Saturday and Sunday, June 18-19 from 10 am to 4 pm. We'll be working both with digital media and with photos as a design inspiration for paint, stamps, color palettes and composition.

Class Sessions: 2

Maximum: 10

Location: Surface Design Studio | Navarro

Take your favorite photos and use them in original fabric art - both directly printed on your own fabric and as inspiration for a fabric collage to stitch later. Bring an assortment of photos, print or digital (on disk or flash drive) to the first class in order to select those that work best with each technique. You'll learn to make two different kinds of photo prints on fabric using an inkjet printer, and also enlarge, simplify and transfer a photograph to a larger wall fabric art quilt format, for later quilting or stitch work at home. Please see SSA website for a materials list. Bring a lunch each day.

The Workshop of the Mind

How does your mind work? And what might it look like? Answering these two questions can give any (creative) person (and we are all creative) interesting insight into his or her process of invention, collection and creation.

 Led by my colleague, Dr. Cynthia Herbert, we traveled the road of looking at one's mind at a recent workshop at Ballet Austin. Attending were about 18 arts educators from diverse arts organizations (and/or interests) who took our New World Kids training. This exercise takes adult through a very personal image/collage/sculpture making process based on what currently is known about how the mind perceives, uses and stores information -- and how each of us differently uses that information to create new "products." Products can be as complex as full-blown works or art, as business plans, as research designs -- or as simple as a room arrangement, a lesson plan, a travel plan, a meal.

I'll be leading the same activity in my play and imagination workshop later this summer at El Cielo Studio, and also a parents' version at my weeklong course on creativity for your kids at the Southwest School in August. (There is also a Southwest School of Art weekend course there for teachers on teaching fiber arts, but we will start with this mind=picture activity.) 

PLAY, ART AND ATTENTION

July 29-31

Making time to play with odd-ball materials; learning to focus upon artful tasks at hand -- sounds like opposite sides of the coin? At this exploratory and full-of-play weekend, we’ll explore the relationship between the time, play, art and focus. Where does time management intersect with open-hearted fun? Expect bubbles, playdough, sparklers, jello, yoga and seeing the world from new angles and attitudes. Fee $165, including most supplies and meals. (For details, email me through the contact form on the sidebar).

special parent class

on raising creative kids

9-955|CREATIVITY & YOUR KIDS

Susie Monday

Mon – Fri, Aug 1 – 5 | 9:00am – 12:00pm 

Tuition: $140 (Members: $125) | 5 sessions

Discover more about your child’s learning. Explore their world of creativity, and find ways to stimulate and enhance it. With artist-educator Susie Monday, co-author of New World Kids: The Parent’s Guide to Creative Thinking as your guide, find out how to support, direct, and defend your child’s creative thinking at home and in their school setting. Hands-on activities, handouts, problem-solving, and an interdisciplinary approach characterize this invaluable class for the parents of creative kids.

sAug 1 – 5 | 9:00am – 12:00pm Tuition: $140 (Members: $125) | 5 sessions

But here's one little taste that might provide insight (this is actually the final part of the 2 hour experience).

Think of a metaphor or analogy for your mind at work on a creative project, big or small. For example -" my mind is like a bee hive with bees and different tasks buzzing and communicating," or My mind is an assembly line where sensory input goes in at one end, gets organized and reshaped and comes out the other," or "My mind is story telling stage with lots of storytellers taking turns."

Now create a model or drawing of that analogy or idea! This is even more fun in a group, because you will be amazed at the diversity of ideas and of their expresssion.

0 

How to Make Your Mark in Your Work Work

What are the  marks you make with your work? Do you have symbols, shapes, lines or an approach with color and pattern that you integrate into your art, no matter the exact "content" or "theme" or story? Can your audience see your hand in your work? What a human thing to do. What a connection making such marks is to our amazing history of being human...

Markmaking is our language, private, personal, universal and iconic. The marks we make over and over in our work -- be it visual, kineasthetic, tactile, audible -- constitutes a piece of our personal unique style, and the more we work at those marks, finding mastery of our own special language, the more distinctive is our work, the more recognizable. 

Markmaking is part of style, part of voice, part of what makes my work, my work and yours, yours. Taking time to find, polish, elaborate upon, distill and play with our marks is an important aspect of finding our voice in the medium we choose to use to express our ideas.

The Mark-Making Workshop at El Cielo Studios is coming up in about a week and a half  (June 10, 11,12). I'm hoping to fill this little extra slot with a few folks who want to take the time to find and polish and master their own set of marks for fiber art prints, applique and other surface design. While the activities are designed with fiber artists in mind, they are also of value to any mixed media or visual medium who would like his or her work to become more distinctive and distinctly unique.

Markmaking is a distinctly human activity and one that we have been exploring as humans for millenia. Consider the new documentary by Wilhelm Herzog, Cave of the Forgotten Dreams.  We just saw the film (in 3-D) at Austin's Violet Crown Cinema, a new and snazzy space downtown on 2nd.  This adventure (part of Linda's and my CAMP AUSTIN this week) was stunningly beautiful, evocative and a powerful reminder of what it is to be human, to make marks and to leave our handprint behind.

The week in Austin is also work time for me. I'm part of the New World Kids' Training Team that is working at Ballet Austin with arts educators from three different arts organizations in the city. We, too, are looking at markmaking (among other expressive tools) as teachers move and paint and sound their way through the Sensory Alphabet. Seeing the differences in our minds at work as they play out on the page is just another dimension of this markmaking work. I'll share more about the workshops later this week on the blog, but meanwhile, here are a few playfull markmaking experiments to fool around with:

1. Look at how you doodle. What kinds of lines and shapes and symbols do you play with "when noone is looking?"

2. Take one kind of simple symbol and play it out across a wide variety of media -- paint it, draw it, make it in clay, look for and photograph it in nature and on the streets, sing it, rattle it, make it move. make it into a movie, write it into a story.

3. Carve or cut or otherwise create a stamp of a favorite mark of symbol. Experiment with it on fabric and paper, with repetition and size, change the scale and layer it one upon another. Repeat, repeat, repeat.

4. Look at a favorite artists' Insert Image work and see if you can find examples of marks made over and over. How are these distinctive marks part of the artist's "fingerprint?"

5. Make a slide show of images of a mark or symbol or sign or shape that is interesting to you. How many places can you find it? How many ways can you make it show up?

6. Try your mark in electronic media and on software apps that allow for special kinds of markmaking. Print out these marks and see how they could be used in your work.

Some to try: Zen Brush:

 

Also: Finger Sketch Paint

Express Sketchbook

OR, you can come out to El Cielo Studio next week and do these and many similar activities with the group!

CHANGE OF DATE

MARKMAKING,

MAKING YOUR MARK

June 10-12

Markmaking can be what distinguishes one person's

work on paper or fabric or any medai from another's -

their personal style. Using color, line, shape, rhythm

and textures, students will explore traditional and new

media as well as techniques for personal markmaking.

Techniques to be covered include deconstructed

screenprinting, stamping, using paint

sticks and monoprinting with gelatin plates. No matter

what your experience level, you'll gain confidence

in working with layered media and find your

strongest media for the marks that make your work

unmistakably your own.  

$160 plus accommodations, free to $30 for both nights, Friday night potluck is optional but encouraged!

Illustration Workshop with the Maestros

 

Today twenty Central American teachers are at El Cielo for the first of four design workshops. Today, we looked at several children's books (they will be making their own later in the summer), and at how the artist's had worked in different and varied styles. Like many adults some of the teachers are shy about their ability to draw --- though I think they have fewer reservations than most Norte Americanos I know!

 

One of the great books I shared was Faith Ringgold's Tar Beach, with illustrations similar to those that she used on her amazing and groundbreaking art quilt Tar Beach, made in 1988. The story combines autobiography and fictional narrative, and the pictures are delightful, as is the story. (Photo above from the Brooklyn Museum)

ANd here are my illustrators. Each teacher had to produce four versions of an illustration of an event from his or her childhood. THey worked in paper collage, magazine collage, ink and watercolor, crayon/oil pastel resist. We discussed their strongest style, what was most fun, most challenging. Next Friday we'll do a printmaking workshop that works with the same narrative images.

 

Count Down to UFO (unfinished fiber object) Workshop

The last UFO workshop was a blast. Unlike most of the workshops that I facilitate out here at El Cielo, this one is "user designed." Artists bring a project that needs the benefits of the studio, a weekend of work, technical advice and tutorials, space and time to spread out and work with concentration, a bit of peer critique to pull a piece (or two) together -- or all of the above. This was really fun last fall and I've offered it again at the request of several artists-in-arms -- but there is room for a few more RETREATEES. Dates: Friday night optional pot luck, June 3, work sessions with tailor-made tutorials, June 4-5. We usually wrap things up around 3:30 or 4.

Even if you aren't working on a fiber project -- it could be watercolor, collage, mixed media or any other art work that you feel needs a jump start or a jump to finish. Or maybe you just need some time to sit and think and look and listen to your artist's self. This weekend is your opportunity.

You are welcome to bring fabric to dye (with advice included!), designs for thermofaxes (at cost, $14 each), stamps to carve, fabric to print through the inkjet, stuff to sew (I have 3 machines or various vintages), canvases or watercolor pads to set up for plein aire work or any other activity that comes to mind.

(The deck is finished now! The pool is fabulous this time of year.)

The cost is $165, with a $15 discount if you sign up before the end of this week. Accommodations range from a private room with bath for $30 to shared room or sofa (comfy I promise) for free. ANd there are beds in the studio (with bathroom) if you are a night owl and want to work into the wee hours.

Call or email me through the contact form on the sidebar if you are interested, and I'll send more details. 

May is Artists Soul Retreat Month

Thanks to dear friends Robin and Emily for the color-coordinated orchid! In honor of the recovering Linda. And the current chief chef and bottlewasher. And to those looking for a little visual treat where ever you are.

Just a reminder to you, me and all of us. (As I post more than one blog entry today to try and "catch up," that impossible and daunting task.) Here's an excerpt and some links from the CREATIVITY PORTAL by artist and coach Chris Dunmire:

"Self-care coach Linda Dessau was the first on Creativity Portal to write about the Artist Retreat, a kind of vacation that helps artist's (of all kinds) to get outside of their usual routines, connect with other artists, and contemplate their creative dreams in a larger context. In her article 10 Signs You Might Need an Artist Retreat Day, Linda encouraged awareness for signs of creative burnout and showed how we can incorporate elements of a retreat into our daily lives.

"My first retreat came 20-some years into my working life and consisted of two weeks alone in a rented cottage in the Arizona mountains where I had no creative expectations and took replenishing daily walks and naps. I focused on being "unplugged" from work demands and spent important "me" time reconnecting with my body — and myself — under cool starry night skies. I did some creative things and read a lot, and discovered the new joy of snail-mail art. I came home to a full inbox and lots of work waiting for me, but that stuff is always there. The nourishing gift of a retreat, however, is not.

Some may call them retreats, vacations, or sabbaticals. I like the idea of combining the best of them all into an Artist's Soul Retreat (with emphasis on self-care of the soul). Let's celebrate May with creativity and self-care!

And, in the same vein, I have rescheduled the Markmaking Workshop to June 10-12, to accommodate home schedules - fortunately, those already signed up could make the switch, but there is still room for a few more participants -- as well as for the other summer El Cielo retreats. Here's the text version descriptions:

Sign up early (at least 30 days in advance with a $25 deposit) for a $15 discount on the $175 fee. Email me susiemonday@gmail.com for details. Workshops generally start with an optional Friday night potluck and fun activity or two, then continue through 3-4 pm on Sunday afternoon. Most supplies included.

UFO WORKSHOP June 3-5

UFO, “unfinished fiber object.” Bring along work that needs finishing, needs one more layer, needs some concentrated time and attention (or work that’s stuck for need of constructive critique). Enjoy the resources of the studio and the advice and support of peers. We’ll customize the techniques to the tasks at hand.

CHANGE OF DATE
MARKMAKING, MAKING YOUR MARK  June 10-12

Markmaking can be what distinguishes one person's work on paper or fabric or any medai from another's - their personal style. Using color, line, shape, rhythm and textures, students will explore traditional and new media as well as techniques for personal markmaking. Techniques to be covered include deconstructed screenprinting, stamping, using paint sticks and monoprinting with gelatin plates. No matter what your experience level, you'll gain confidence in working with layered media and find your strongest media for the marks that make your work unmistakably your own. 

PLAY, ART AND ATTENTION   July 29-31

Making time to play with odd-ball materials; learning to focus upon artful tasks at hand -- sounds like opposite sides of the coin? At this exploratory and full-of-play weekend, we’ll explore the relationship between the time, play, art and focus. Where does time management intersect with open-hearted fun? Expect bubbles, playdough, sparklers, jello, yoga and seeing the world from new angles and attitudes. 

BURNING WOMAN WORKSHOP  August 19-21

Embrace your inner goddess of summertime. Design and make a small art quilt “altar” for kitchen or dining room with tools and materials that depend on heat, sunlight and passionate delight: sun-printing, vegetable prints, fusing, hand and machine stitching and “found” fabrics from attic, thrift store or kitchen closet. We will recycle napkins, tea towels and other like objects and design a thermofax featuring a meaningful symbol, favorite fruit, icon, saint, culinary heroine, angel or other meaningful design as the centerpiece for the altar. (This workshop has an additional $12 fee per person for the altar boxes that the quilts are stretched upon.)

This spring and summer I also will be teaching occasionally at the Southwest School of Art: June 18-19 - From Photo to Fiber (using various techniques to design art quilts from photographs), August 1-5, mornings, New World Kids: for parents wishing to nurture creativity in their children.

OTHER POSSIBILITIES:

Flying or driving in from afar for one of these weekends? Or just want some solo supported work time in the studio? Add one or two days of instruction in the studio for learning techniques that you are interested in. Each custom designed workshop and night’s lodging and meals costs $225 per person. Limit, 2 artists per session Many of Susie’s workshops go on the road! Please write for available dates and fees.

WHAT PARTICIPANTS SAY: 

“A workshop at Susie’s is always money well spent.  I learned techniques I have read about but never tried ... I also now feel confident that I can make art quilts!”

“This workshop was a fabulous, uplifting, nurturing environment to create in. The journaling was particularly helpful, I would definitely recommend it to a friend.”

“This weekend was totally awesome! I am humbled by Susie’s talents, her teaching abilities and her hospitality. I will come back as often as possible.”

Fabulous Earth, Air and Water T-Shirts

This is an activity that's become a standard activity with the groups of Central American Youth Ambassadors who visit Alamo Colleges each year. We just wrapped up a week with 23 ambassadors from four countries, paired with 20 or so host kids from San Antonio's Legacy High School and the International School of the Americas (housed at Lee High School).

We start with some cutting and collage activities, then a little design seminar based on the Sensory Alphabet and then each participant cuts and pastes a logo design. The kids are in teams -- Earth, Air and Water -- serving as the "voices for the voiceless" for a short presentation that wraps up the activities each week. 

I wanted to share their designs and a little of the work-in-progress, because I think this design technique has some fine applications for coming up with art quilt designs, as well as screen print or stamp and stencil images.

The "warmup" design activities include learning how to cut notan designs, as you can see. But the kids often take the technique into new directions -- or use a different technique as they design their logo. After collecting each groups designs, I photographed them, ran each design through the "stamp" filter in Photoshop (that took out any variation in contrast and made each design a high contrast black-and-white image, even though my photos had shadows and backgrounds. Then I cropped and arranged the design images into an 8.5" by 11" design, printed it on the laser printer and made thermofaxes for each group to print in black on t-shirts. After printing, the kids colored their designs with fabric markers, and, later at the event, each autographed and wrote messages to each other.

Cutting designs.

 

 

 

Monoprints on Fabric

Just a few photos today, from the recent Southwest School of Art weekend workshop. We'll be reprising a few of these techniques with some natural items (leaves, sticks and stones) added this weekend at the El Cielo workshop. I just had a last minute drop out, so if you are interested, email me.

The first and third pieces were done with layers of textile paint applied from plastic plates of various kinds, textured with rollers and fingers and brushes. The second was with rainbow printing techniques directly on a screen. (You'll find more on this blog under rainbow printing in the search field.) Here's the link to Rainbow Printing.

Spring and Summer Workshops at El Cielo Studios

Here is a link to a downloadable pdf brochure with the dates and topics for new workshops at El Cielo Studios.

files.me.com/susiemonday/rvq162

  It's my pleasure to share my home and studio and a nurturing environment for your creative journey -- and the  workshop is less than what you'd spend for a bed-and-breakfast weekend alone! I hope to see you sometime this spring or summer for a weekend of inspiring and creative work and play here in the beautiful Texas Hill Country.

Nurture your creativity as you come away from a weekend with renewed energy, new  materials and techniques in surface design applicable to fiber, ceramics, jewelry, painting and mixed media work. Susie Monday leads artists’ retreats and workshops throughout the year at her studio near Pipe Creek, Texas, about an hour from downtown San Antonio. 

El Cielo Studio workshops are designed with the needs of the participants in mind;  free time is scheduled throughout the weekend for reading, reflection and personal work in the studio. You are welcome to bring projects in process for Susie’s critique and for peer feedback in an environment of trust and respect. You’ll share meals, poetry and stories, music and advice for living an artist’s life. Enjoy the 25-mile vistas from the deck and strolls down the country roads. A spa and pool, and large screen media room are also available to participants. The fee for each workshop retreat is $175 for a 2-day event with discount for early enrollment. Comfortable accommodations (double and single rooms with baths and shared bath rooms) and meals are available from $15 - $30 per workshop. Most supplies included. Call 210-643-2128 or econtact me through the email form on the sidebar of this blog.

Sign up early (at least 30 days in advance with a $25 deposit) for a $15 ndiscount on the $175 fee. Workshops generally start with an optional Friday night potluck and fun activity or two, then continue through 3-4 pm on Sunday afternoon. Most supplies included.

MARKMAKING, MAKING YOUR MARK

May 13-15

Markmaking can be what distinguishes one person's work on paper or fabric from another's - their personal style. Using color, line, shape, rhythm and textures, students will explore traditional and new media as well as techniques for personal markmaking. Techniques to be covered include deconstructed screenprinting, stamping, using paint sticks and monoprinting with gelatin plates. No matter what your experience level, you'll gain confidence in working with layered media and find your strongest media for the marks that make your work unmistakably your own. 

UFO WORKSHOP

June 3-5

UFO, “unfinished fiber object.” Bring along work that needs finishing, needs one more layer, needs some concentrated time and attention (or work that’s stuck for need of constructive critique). Enjoy the resources of the studio and the advice and support of peers. We’ll customize the techniques to the tasks at hand.

PLAY, ART AND ATTENTION

July 29-31

Making time to play with odd-ball materials; learning to focus upon artful tasks at hand -- sounds like opposite sides of the coin? At this exploratory and full-of-play weekend, we’ll explore the relationship between the time, play, art and focus. Where does time management intersect with open-hearted fun? Expect bubbles, playdough, sparklers, jello, yoga and seeing the world from new angles and attitudes. 

BURNING WOMAN WORKSHOP

August 19-21

Embrace your inner goddess of summertime. Design and make a small art quilt “altar” for kitchen or dining room with tools and materials that depend on heat, sunlight and passionate delight: sun-printing, vegetable prints, fusing, hand and machine stitching and “found” fabrics from attic, thrift store or kitchen closet. We will recycle napkins, tea towels and other like objects and design a thermofax featuring a meaningful symbol, favorite fruit, icon, saint, culinary heroine, angel or other meaningful design as the centerpiece for the altar. (This workshop has an additional $12 fee per person for the altar boxes that the quilts are stretched upon.)

OTHER CLASSES 

This spring and summer I also will be teaching occasionally at the Southwest School of Art: June 18-19 - From Photo to Fiber (using various techniques to design art quilts from photographs), August 1-5, mornings, New World Kids: for parents wishing to nurture creativity in their children.

I am also teaching a course for teachers: Fiber Arts for the Classroom at Southwest School of Art on July 23-24 (The wrong date is in the SSA catalog, I had to change the date after it was printed.)

 OTHER POSSIBILITIES:

Flying or driving in from afar for one of these weekends? Or just want some solo supported work time in the studio? Add one or two days of instruction in the studio for learning techniques that you are interested in. Each custom designed workshop and night’s lodging and meals costs $225 per person. Limit, 2 artists per session Many of Susie’s workshops go on the road! Please write for available dates and fees.

WHAT PARTICIPANTS SAY: 

“A workshop at Susie’s is always money well spent.  I learned techniques I have read about but never tried ... I also now feel confident that I can make art quilts!”

“This workshop was a fabulous, uplifting, nurturing environment to create in. The journaling was particularly helpful, I would definitely recommend it to a friend.”

“This weekend was totally awesome! I am humbled by Susie’s talents, her teaching abilities and her hospitality. I will come back as often as possible.”

Sitting and staring

Today, I'm reminded of the baseboall great Satchel Page's oft quoted," Sometimes I sits and thinks and sometimes I  just sits." An unexpected delay of a work-related appointment has given me the gift of a hitherto unplanned afternoon. Yes, the studio needs a good sort. The garden is (perhaps riskily) calling for seeds. I have really been planning to go through and file all the piles of receipts and GET MYSELF ORGANIZED for the new year (hardly new anymore, you might note). 

But I find myself sitting and looking out into damp, gray between-winter-and-spring air and light and I just sit.

Sometimes its good to sit.

The creative life is full of adventure (even if it only shows up on the inside of your eyeballs.) When one is a self-employed artist, there is the ever present tension between amking art and making a living and it takes a lot of juggling to keep it together sometimes. I, like many of us, simply like action, I live at full-speed-ahead.

And then I sit.

You (I) need both. You (I) must let minutes wash over us when we can. Remind ourselves that time is finite; in 100 years (unless Singularity DOES come to pass, or the Mayan calendar ends us all in a bang) everyone you know and everyone you don't know who is walking around here on earth will be gone. And so, no matter how important it all seems, it is just a drop in the bucket when you look at the big picture. So let the drops fall where they may for a few hours. Sit. think. or just sit.

One thing I am thinking about is some of the thought about romance that I am reading in Barbara Lazear Ascher's wonderful book Isn't it Romantic; Finding the magic in everyday life. Here's a quote to ponder as you sit today:

"The romantic has to believe the bread crumbs were left as a trail, that the dots will make a whole....Faith doesn't require answers but a trust that if we dare reach out a hand another one, unforeseen will receive it. That we will be made whole. The ulitmate romance. Exactly as Michelangelo painted it in the center of the Sistine Chapel ceiling."

And Yes. I am puttering around in the studio today and making some progress on the annual clean, sort and toss that I force myself to do in order to avoid a manditory appearance on some reality show or another devoted to hoarding. But I am doing so very, very softly. Like the air and the gray heavy skies. Like the seeds underground waiting for the next increment of warmth. Reminding myself to think a bit about the spiraling fossil of an ammonite once alive, then dead, buried turned to stone, washed up again on a different shore.

(P.S. Speaking of nature, the next El Cielo studio retreat/workshop is almost full-to-the-brim. If you are thinking about attending  send me an email through the contact form on the sidebar. $160 if you pay before March 1. Potluck on Friday night through Sunday afternoon, most supplies included.)

View from home and El Cielo Studio.

NATURE-INSPIRED SURFACE DESIGN

March 25-27

Find color, shape, form and inspired design for new surface design tools at this spring-is-sprung weekend in the blooming Texas Hill Country. We’ll do sun prints, leaf-inspired thermofaxes and screenprinting with dye, flour paste resist and more.

What I learned... (Text on the Surface)

Starting today (Monday afternoon), there's a five-week course at the Southwest School of Art -- Text on the Surface. If you're in SA and are interested, I think there is an opening for one more student.-

This was the course I attempted to design as an online course, only to discover that I am "not-so-good" at teaching online (as the kids say). Thanks to all the text test pilots who suffered through it! I suspect that I could get better, but I am not sure I want to until I can't get out there to teach in person any more.  I have a hard enough time with my interpersonal intelligence skills (or lack thereof) in person and trying to interact online in a teaching situation certainly pointed up my weaknesses. (I am the kind of person who can spend an entire evening with a feuding couple or two in the clutches of an extramarital affair and never notice anything.) The nuances of interacting online often evade me, whether it be via email or listserve. So while I have certain technical facility with it all, I seem to lack the ability to make the charisma leap -- or something!

Perhaps just putting out an e-book would work -- but I had a really hard time trying to interact, give feedback and provide guidance in an electronic "classroom." Fostering community online evaded me. And I suspect, as with realtime teaching, that that is what all of us want in an educational situation. 

Believing that its always better to work from one's strengths, I am sticking to the actual world for teaching and facilitating for now, So if you were waiting to hear about an online course, wait no longer. This working from one's strengths means that sometimes you do just make a u-turn. Find another way; back up and begin again.

It smarts. At 62, I, like a lot of people my age, don't really like being a beginner at anything. We prefer to stick with our success stories. We often do know what we like to do and how we like to do it. On one hand, that focuses our attention and keeps us from wasting the time on the planet we have left, but it can also lead to stagnation and boredom. So even though I am not continuing with the online adventure, I'm glad I tried it out and learned something new about myself.

Art with CAYA -- Youth Ambassadors

 

The week flew by with work at Bamberger Ranch and then at Southwest School of Art with the CAYA group, Texas host kids and families and the year-long residency group of SEED teachers. On this post, we just wanted to share some of the graphic and visual forms we worked on -- you can see more photos of the various aspects of the program, and the kids at work, on the Posterous SEED blog, if you're interested.

This is what I love about these graphic forms, and why I think they work as collaborative art projects:

First,  limit the palette in use  to some degree -- kraft paper brown, black, white and red  construction paper were the choices here (We loosen up on these color restrictions as the day goes on, figuring that the repetition will hold the general design together).

In the projects, we emphasize cutting over drawing or sketching. First, its less intimidating for kids who don't think they are good artists. Secondly, it keeps things simple and strong and bold. Black cutout letters and shapes are the bones for any little fussy stuff on top!

The t-shirts start with cutout "logos' for air, earth and water. Each kid makes a logo. I gang them together reduce each to a grid that will fit on a thermofax and the kids get to print their own shirts. Then, with colored fabric markers, each one can individualize and personalize his or her design. Again, the black ink on white shirt holds the whole design together.

The "dream towers" included collage work (each person cutout  a large word that described a personal dream, then collaged it with magazine pictures), a few notan designs, etc. Again, the color palette holds it together. I used the model of the Eames "house of cards" as patterns for the large foam board cards. These notch together with slits and make relatively stable and sturdy set/exhibit pieces that can be easily stored, recycled with new images with a new group, and infinitely rearranged. Since our final exhibit and presentation was in a gallery where we could not attach anything to the walls, these towers provided display space for work -- and they could be quickly assembled and disassembled and moved easily in the van or even a passenger car backseat!

The black foam  board cards were just taped into triangles (for stability) and stacked on top of each other. Kid wrote their recipes and remedies and cures for issues facing their world on these with chalk -- again, the boards can be wiped clean and reused. The blackboard form was fun, gave shape to the thinking and message, and was un-intimidating since if one made a mistake you could erase and do it again. And I love the black and white with the other forms.

The mask forms are simple paper bag masks using limited colors and mostly cut out shapes and forms. The kids (each in their group of either water, earth or air) chose a creature or element to personify as a mask and to "speak" for -- their assignment was to be a voice for those without words -- the animals, plants and elements of nature that depend upon survival with our solutions for the difficult problems facing the environment and our stewardship of the world, our partnership with the rest of the world. We used recycled packing materials from our lunches and other meals in these, as well.

After years  (and years) of doing collaborative (and quickly produced) art forms with kids and adults with all kinds of content, I do have my bag of tricks and approaches that help with visual strength and form, but still give everyone the sense of personal contribution and expression. I think that providing a few "rules" in terms of setting a strong format, limiting materials, and structuring the work experience all add up in the end.