Filmmakers in the Making

Linda teaches Mass Communications at Northwest Vista College, part of Alamo Colleges (community college) in San Antonio. As a final (three-day!) project, her students had to write. produce or otherwise create a public service announcement that addressed both some form and structure instructions  as well as recent research information about the impact of texting on student sleep deprivation and school performance.

Several of her students did outstanding work, and I can't resist sharing it with you -- note, these are not necessarily done by students taking any courses in media production -- just the  I think they are a wonderful example of how new media, the technology of YouTube and Vimeo, access to inexpensive media tools and an understanding of creative composition, design and how to use them. These are the New World Kids, growing up. This is their language and it shows.

For more about the assignment, see Linda's blog at http://cuellarsblog.blogspot.com/

Night the Living Stayed Up Instead from Jorge Alvarez on Vimeo.

 

 

Best Toys

THESE?


"Treasure Box" photo by Flickr user Evelyn Giggles. Used under Creative Commons License.


OR THESE?

 

Dirt and Stick (sort of)

(I'm back!) Sorry for any access problems, I had a mix-up at my Squarespace account.

Here's a great blog post from Geek Dad about the best toys ever.  When was the last time you took some time to play with one of these? And what would you add? My friend Cindy says, "Bandana." I do the subset of Dirt, Sand. Also Water. These are all great examples of what we call scratch materials in our parent's book on creative thinking (PS, its being re-edited, added to and released by a new publisher next summer.)

 

http://www.wired.com/geekdad/2011/01/the-5-best-toys-of-all-time/all/1

Happy Thanksgiving, even if I am late with the wishes. 

 

Dia de los Muertos

 

 

Last night was Day of the Dead, dia de los muertos. We celebrated as we do every year with an altar and stories about those who have crossed the veil, whom tradition says are particularly close to us at this time of year. This year it took over the living room fireplace hearth, spreading out into the room, with a blue norther whistling in upon us just as the candles were lit.

My papa was honored along with Linda's parents, other relatives, and friends departed recently and long past. Julia, my dear friend and colleague of many years, was with us and added her list of departed creative mentors to the table. We had all the yellow flowers the drought-struck garden could provide, an amazing display actually, especially with the new button mum from HEB. Also gingerbread and hot chocolate and sweet stories and sharings. I am so blessed to have made this cultural tradition of the region part of my own life for so many years now. I wonder how others in our world do without this special time.  It is a special time and kind of memory honoring, both personal and universal, of story and shared poems and prayer, of images pulled out from the drawers, mementos of lives lived richly, now shuttered. A little teary, but mostly happy, recounting the laughter, the gifts, the unique human lives of those we have loved, and , if not here exactly, are never really lost to us. I am who I am from their guidance, their influences, their givings and boundaries, their lives taken as lessons. 

What You Want to Learn

 

 

Are you stuck with your art work, or trying to build a better studio practice? Or maybe you don't have room to do what you really want to do in your home studio. Perhaps there is a surface design technique you want time to master, or a series of work that needs your committed attention... What do you want to learn, right now, at this time in your creative life?

You could solve those problems -- or at least take a stab at them by signing up for the class I'll be teaching this semester at the Southwest School of Art: Independent Studies in Textile Art.

Class Sessions: 8, Monday, Sept. 26 - Nov. 14, 9:30 am to 12:30 pm

Maximum: 10

Location: Surface Design Studio | Navarro

With the assistance of the instructor, each student will design a personal investigation of a surface design technique and creative approach to fiber art, making samples first, then culminating in the design and production of a fused, pieced and/or whole cloth art quilt. Techniques available for exploration include soy wax batik, screen-printing, dyeing and discharge, photo image transfer or combinations of several techniques. This class is suited for students who have had some exposure to fiber art, but any level of experience is acceptable. Supply lists will be developed with individual students. Some basic studio supplies are provided.

Fee: $240 (non-member)

This is how this course will work: the first part of class #1 will be devoted to discussion of what each participant wants to gain, whether a specific technique or motivation, inspiration, good practice or other less tangible results. With one-on-one discussion with me, you'll plan your 8 weeks of study, develop a supply list, and help me develop my schedule of introductory lectures and demos for the course.

The class is held in the spacious surface design/mixed media studio at the school, and there will be a large 8' by 4' work table for each participant. The wet studio is well supplied with dyeing chemicals and easy-to-use wash out area, and a washer and dryer are also available for use. There is a thermofax machine (I'll have supplies available for purchase) and a large light table, a Bernina sewing machine for free-motion stitching, batik equipment, and design boards to use as you work. Just access to this studio can jump start your work into a new dimension.

Thereafter, each class will start with 15 minutes of critique and discussion of work done the previous week, a 30 minute demo/lecture or slideshow of inspiration and examples, and then 2 hours will be yours to work with my advice, assistance, critique and demonstration of techniques at needed. At the end, we'll spend 15 minutes together sharing and planning goals for the week to come.

If you have a project in mind, great! If you want just to play with some new ideas, techniques and materials, that's great, too. Just think of this as training time for your creative practice. Hope to see you there.

P.S. I will not be teaching until November at my El Cielo Studio.

P.P. S. If you are a member of Fiber Artists of San Antonio and don't want to miss the Monday morning meetings, I will work with you to plan an individual make-up session for classes you miss for the meetings.

 

Five Ways Travels can Enrich Your Art

As I plan a trip for the summer, I want to remind myself, that even on "vacation,"my artist /maker mind is not vacant! In fact, what an artist date, extended and intensive. We all know that, but here are my tips for making travel especially productive and mind-feeding. Let me know any other travel habits you have that awaken, energize and contribute to your artistic vision, tools and skills.

1. As a surface designer and art quilt maker, I don't take along too many tools of my trade, but I DO take the  makings for a travel journal that I add to along the way. My essentials: small format sketchbook (small enough and light enough to carry with), watercolor pad and brush, black ink pens, glue stick, scissors (packed in the luggage so I don't get them confiscated).

2. Take photos (and edit as I go, this is from past experience). Use them for inspiration, printing on fabric, motifs and designs to turn into thermofaxes and stamps back home. I usually don't post until I get home and have time to mull over the best images to share. Usually sorted by Sensory Alphabet theme. I try to take not just the long shots, but lots of details. Usually pick a theme or topic to shoot consistently (I have an amazing collection of manhole covers and street paving stones.) I think I'll look for shell design elements this trip.

3. Museums, museums, museums. Duh. Also historical sites, gardens, etc. I do occasionally (where legal) snip and press leaves from what are exotic trees for me,  to use for screens and thermofaxes back home.

4. Dollar stores, Euro Stores (or whatever the local currency equivalent) for a different set of (usually Chinese-made) stuff that can become stamps, stencils and texture tools. OK, this is sometimes a silly use of luggage space, but I am willing to take old undies and even slacks that I will leave behind in order to take home some weird, wonderful find. Oh yes, cheater readers in the fashion of the place. You gotta see, right?

5. Maps, brochures, ephemera. Also go into the travel journal. Also rich mining for future work. And helps the memory when others travel to the same destination. A network of traveling artists is a wonderful thing to have!

 

Two Weekends for Play and Passion

 

Not to mention: pears, peaches, pool (cool), plenty, and well, just lots of fun.

Coming up: July's Play Art and Attention and August's El Cielo Workshop will be hot-as-lava, fired-up with spirit and full of heat-based artcloth techniques that take advantage of the weather, the countryside and the grand vistas to inspire a new perspective on life, the artist's path and your place on the road.

First, we'll put play to the work of imagination and inspiration, with a variety of surface design techniques and creative exercises that open up possibilities for all kinds of new mixed media on paper and fabric. AND, we'll take a mid-year look at your annual art goals, how to reinvigorate your artistic studio focus, and set up some targets to hit with intention. Play and focus come together with a bit of yoga, some time in nature, and your hands in a zappy happy mix of new and fun materials.

In August, spend a couple of days exploring heat related techniques: textile paint sun-printing, rusting (afterall, a slow oxidation -- or burning -- process) and kitchen utensil and vegetable printing. We'll put your new fabrics together in a small art quilt art  Kitchen Altar, using a wooden frame and stitched work. Enjoy an August retreat from city's heat -- sure South Texas and the Hill Country are hot even up here in on the ridge, but it's always 10 degrees cooler at night than in the asphalt-ribboned city (and there's the pool, too). 

 

We'll be taking advantage of the  heat, with dye processes, using batik on fabric and to create screen-printing and more. Use the heat of the season to ignite your creative imagination, enjoy a convivial time with other artists and feast on the bounty of the season (some of it from El Cielo's own new veggie garden). 

If you're interested in making artcloth like the ones you see here

PLAY, ART AND ATTENTION

July 29-31

Making time to play with odd-ball materials; learning to focus upon artful tasks at hand -- sounds like opposite sides of the coin? At this exploratory and full-of-play weekend, we’ll explore the relationship between the time, play, art and focus. Where does time management intersect with open-hearted fun? Expect bubbles, playdough, sparklers, jello, yoga and seeing the world from new angles and attitudes. 

BURNING WOMAN WORKSHOP

August 19-21

Embrace your inner goddess of summertime. Design and make a small art quilt “altar” for kitchen or dining room with tools and materials that depend on heat, sunlight and passionate delight: sun-printing, vegetable prints, fusing, hand and machine stitching and “found” fabrics from attic, thrift store or kitchen closet. We will recycle napkins, tea towels and other like objects and design a thermofax featuring a meaningful symbol, favorite fruit, icon, saint, culinary heroine, angel or other meaningful design as the centerpiece for the altar. 

For more information, email me with the contact form on the sidebar. 

 

Developing an Idea for Textile Art

 

Thanks to my friend artist Rosa Vera, who sent me these shots after a recent workshop at El Cielo, I have a nice documentation of some design work "in progress." 

This workshop -- designed and executed for a group of four working artists who get together for occassional studio time -- was focused on developing an image through different tools and media, with drawing, cut paper, collage, etc. It was play time with a purpose. 

I was working alongside the group, demonstrating, but also taking my own image of a dried up cactus pad (dessicated after the hard winter freeze) though the process. The final result was a small art quilt -- you'll see that at in the final picture. The only thing I don't have is an image of the original cactus pad -- I'll try to find it and post it later. Thanks Rosa, for the photos.

Above is the final piece, still in progress. I made the thermofax from one of the pen and ink drawings, drew on the cut out shapes for the applique pieces and played with a color palette from some previously monoprinted fabrics. Will try to find the original and the final soon!

 

 

The Workshop of the Mind

How does your mind work? And what might it look like? Answering these two questions can give any (creative) person (and we are all creative) interesting insight into his or her process of invention, collection and creation.

 Led by my colleague, Dr. Cynthia Herbert, we traveled the road of looking at one's mind at a recent workshop at Ballet Austin. Attending were about 18 arts educators from diverse arts organizations (and/or interests) who took our New World Kids training. This exercise takes adult through a very personal image/collage/sculpture making process based on what currently is known about how the mind perceives, uses and stores information -- and how each of us differently uses that information to create new "products." Products can be as complex as full-blown works or art, as business plans, as research designs -- or as simple as a room arrangement, a lesson plan, a travel plan, a meal.

I'll be leading the same activity in my play and imagination workshop later this summer at El Cielo Studio, and also a parents' version at my weeklong course on creativity for your kids at the Southwest School in August. (There is also a Southwest School of Art weekend course there for teachers on teaching fiber arts, but we will start with this mind=picture activity.) 

PLAY, ART AND ATTENTION

July 29-31

Making time to play with odd-ball materials; learning to focus upon artful tasks at hand -- sounds like opposite sides of the coin? At this exploratory and full-of-play weekend, we’ll explore the relationship between the time, play, art and focus. Where does time management intersect with open-hearted fun? Expect bubbles, playdough, sparklers, jello, yoga and seeing the world from new angles and attitudes. Fee $165, including most supplies and meals. (For details, email me through the contact form on the sidebar).

 

special parent class
on raising creative kids
9-955|CREATIVITY & YOUR KIDS
Susie Monday
Mon – Fri, Aug 1 – 5 | 9:00am – 12:00pm 
Tuition: $140 (Members: $125) | 5 sessions
Discover more about your child’s learning. Explore their world of creativity, and find ways to stimulate and enhance it. With artist-educator Susie Monday, co-author of New World Kids: The Parent’s Guide to Creative Thinking as your guide, find out how to support, direct, and defend your child’s creative thinking at home and in their school setting. Hands-on activities, handouts, problem-solving, and an interdisciplinary approach characterize this invaluable class for the parents of creative kids.

sAug 1 – 5 | 9:00am – 12:00pm Tuition: $140 (Members: $125) | 5 sessions

 

But here's one little taste that might provide insight (this is actually the final part of the 2 hour experience).

Think of a metaphor or analogy for your mind at work on a creative project, big or small. For example -" my mind is like a bee hive with bees and different tasks buzzing and communicating," or My mind is an assembly line where sensory input goes in at one end, gets organized and reshaped and comes out the other," or "My mind is story telling stage with lots of storytellers taking turns."

Now create a model or drawing of that analogy or idea! This is even more fun in a group, because you will be amazed at the diversity of ideas and of their expresssion.

 

How to Make Your Mark in Your Work Work

What are the  marks you make with your work? Do you have symbols, shapes, lines or an approach with color and pattern that you integrate into your art, no matter the exact "content" or "theme" or story? Can your audience see your hand in your work? What a human thing to do. What a connection making such marks is to our amazing history of being human...

Markmaking is our language, private, personal, universal and iconic. The marks we make over and over in our work -- be it visual, kineasthetic, tactile, audible -- constitutes a piece of our personal unique style, and the more we work at those marks, finding mastery of our own special language, the more distinctive is our work, the more recognizable. 

Markmaking is part of style, part of voice, part of what makes my work, my work and yours, yours. Taking time to find, polish, elaborate upon, distill and play with our marks is an important aspect of finding our voice in the medium we choose to use to express our ideas.

The Mark-Making Workshop at El Cielo Studios is coming up in about a week and a half  (June 10, 11,12). I'm hoping to fill this little extra slot with a few folks who want to take the time to find and polish and master their own set of marks for fiber art prints, applique and other surface design. While the activities are designed with fiber artists in mind, they are also of value to any mixed media or visual medium who would like his or her work to become more distinctive and distinctly unique.

Markmaking is a distinctly human activity and one that we have been exploring as humans for millenia. Consider the new documentary by Wilhelm Herzog, Cave of the Forgotten Dreams.  We just saw the film (in 3-D) at Austin's Violet Crown Cinema, a new and snazzy space downtown on 2nd.  This adventure (part of Linda's and my CAMP AUSTIN this week) was stunningly beautiful, evocative and a powerful reminder of what it is to be human, to make marks and to leave our handprint behind.

The week in Austin is also work time for me. I'm part of the New World Kids' Training Team that is working at Ballet Austin with arts educators from three different arts organizations in the city. We, too, are looking at markmaking (among other expressive tools) as teachers move and paint and sound their way through the Sensory Alphabet. Seeing the differences in our minds at work as they play out on the page is just another dimension of this markmaking work. I'll share more about the workshops later this week on the blog, but meanwhile, here are a few playfull markmaking experiments to fool around with:

1. Look at how you doodle. What kinds of lines and shapes and symbols do you play with "when noone is looking?"

2. Take one kind of simple symbol and play it out across a wide variety of media -- paint it, draw it, make it in clay, look for and photograph it in nature and on the streets, sing it, rattle it, make it move. make it into a movie, write it into a story.

3. Carve or cut or otherwise create a stamp of a favorite mark of symbol. Experiment with it on fabric and paper, with repetition and size, change the scale and layer it one upon another. Repeat, repeat, repeat.

4. Look at a favorite artists' Insert Image work and see if you can find examples of marks made over and over. How are these distinctive marks part of the artist's "fingerprint?"

 

5. Make a slide show of images of a mark or symbol or sign or shape that is interesting to you. How many places can you find it? How many ways can you make it show up?

6. Try your mark in electronic media and on software apps that allow for special kinds of markmaking. Print out these marks and see how they could be used in your work.

Some to try: Zen Brush:

 

Also: Finger Sketch Paint

Express Sketchbook

OR, you can come out to El Cielo Studio next week and do these and many similar activities with the group!

CHANGE OF DATE

MARKMAKING,

MAKING YOUR MARK

June 10-12

Markmaking can be what distinguishes one person's

work on paper or fabric or any medai from another's -

their personal style. Using color, line, shape, rhythm

and textures, students will explore traditional and new

media as well as techniques for personal markmaking.

Techniques to be covered include deconstructed

screenprinting, stamping, using paint

sticks and monoprinting with gelatin plates. No matter

what your experience level, you'll gain confidence

in working with layered media and find your

strongest media for the marks that make your work

unmistakably your own.  

$160 plus accommodations, free to $30 for both nights, Friday night potluck is optional but encouraged!

 

 

Illustration Workshop with the Maestros

 

Today twenty Central American teachers are at El Cielo for the first of four design workshops. Today, we looked at several children's books (they will be making their own later in the summer), and at how the artist's had worked in different and varied styles. Like many adults some of the teachers are shy about their ability to draw --- though I think they have fewer reservations than most Norte Americanos I know!

 

One of the great books I shared was Faith Ringgold's Tar Beach, with illustrations similar to those that she used on her amazing and groundbreaking art quilt Tar Beach, made in 1988. The story combines autobiography and fictional narrative, and the pictures are delightful, as is the story. (Photo above from the Brooklyn Museum)

ANd here are my illustrators. Each teacher had to produce four versions of an illustration of an event from his or her childhood. THey worked in paper collage, magazine collage, ink and watercolor, crayon/oil pastel resist. We discussed their strongest style, what was most fun, most challenging. Next Friday we'll do a printmaking workshop that works with the same narrative images.

 

 

Count Down to UFO (unfinished fiber object) Workshop

 

The last UFO workshop was a blast. Unlike most of the workshops that I facilitate out here at El Cielo, this one is "user designed." Artists bring a project that needs the benefits of the studio, a weekend of work, technical advice and tutorials, space and time to spread out and work with concentration, a bit of peer critique to pull a piece (or two) together -- or all of the above. This was really fun last fall and I've offered it again at the request of several artists-in-arms -- but there is room for a few more RETREATEES. Dates: Friday night optional pot luck, June 3, work sessions with tailor-made tutorials, June 4-5. We usually wrap things up around 3:30 or 4.

Even if you aren't working on a fiber project -- it could be watercolor, collage, mixed media or any other art work that you feel needs a jump start or a jump to finish. Or maybe you just need some time to sit and think and look and listen to your artist's self. This weekend is your opportunity.

You are welcome to bring fabric to dye (with advice included!), designs for thermofaxes (at cost, $14 each), stamps to carve, fabric to print through the inkjet, stuff to sew (I have 3 machines or various vintages), canvases or watercolor pads to set up for plein aire work or any other activity that comes to mind.

(The deck is finished now! The pool is fabulous this time of year.)

The cost is $165, with a $15 discount if you sign up before the end of this week. Accommodations range from a private room with bath for $30 to shared room or sofa (comfy I promise) for free. ANd there are beds in the studio (with bathroom) if you are a night owl and want to work into the wee hours.

Call or email me through the contact form on the sidebar if you are interested, and I'll send more details. 

 

May is Artists Soul Retreat Month

Thanks to dear friends Robin and Emily for the color-coordinated orchid! In honor of the recovering Linda. And the current chief chef and bottlewasher. And to those looking for a little visual treat where ever you are.

Just a reminder to you, me and all of us. (As I post more than one blog entry today to try and "catch up," that impossible and daunting task.) Here's an excerpt and some links from the CREATIVITY PORTAL by artist and coach Chris Dunmire:

"Self-care coach Linda Dessau was the first on Creativity Portal to write about the Artist Retreat, a kind of vacation that helps artist's (of all kinds) to get outside of their usual routines, connect with other artists, and contemplate their creative dreams in a larger context. In her article 10 Signs You Might Need an Artist Retreat Day, Linda encouraged awareness for signs of creative burnout and showed how we can incorporate elements of a retreat into our daily lives.

"My first retreat came 20-some years into my working life and consisted of two weeks alone in a rented cottage in the Arizona mountains where I had no creative expectations and took replenishing daily walks and naps. I focused on being "unplugged" from work demands and spent important "me" time reconnecting with my body — and myself — under cool starry night skies. I did some creative things and read a lot, and discovered the new joy of snail-mail art. I came home to a full inbox and lots of work waiting for me, but that stuff is always there. The nourishing gift of a retreat, however, is not.

Some may call them retreats, vacations, or sabbaticals. I like the idea of combining the best of them all into an Artist's Soul Retreat (with emphasis on self-care of the soul). Let's celebrate May with creativity and self-care!

And, in the same vein, I have rescheduled the Markmaking Workshop to June 10-12, to accommodate home schedules - fortunately, those already signed up could make the switch, but there is still room for a few more participants -- as well as for the other summer El Cielo retreats. Here's the text version descriptions:

 

Sign up early (at least 30 days in advance with a $25 deposit) for a $15 discount on the $175 fee. Email me susiemonday@gmail.com for details. Workshops generally start with an optional Friday night potluck and fun activity or two, then continue through 3-4 pm on Sunday afternoon. Most supplies included.

UFO WORKSHOP June 3-5

UFO, “unfinished fiber object.” Bring along work that needs finishing, needs one more layer, needs some concentrated time and attention (or work that’s stuck for need of constructive critique). Enjoy the resources of the studio and the advice and support of peers. We’ll customize the techniques to the tasks at hand.

CHANGE OF DATE
MARKMAKING, MAKING YOUR MARK  June 10-12

Markmaking can be what distinguishes one person's work on paper or fabric or any medai from another's - their personal style. Using color, line, shape, rhythm and textures, students will explore traditional and new media as well as techniques for personal markmaking. Techniques to be covered include deconstructed screenprinting, stamping, using paint sticks and monoprinting with gelatin plates. No matter what your experience level, you'll gain confidence in working with layered media and find your strongest media for the marks that make your work unmistakably your own. 

PLAY, ART AND ATTENTION   July 29-31

Making time to play with odd-ball materials; learning to focus upon artful tasks at hand -- sounds like opposite sides of the coin? At this exploratory and full-of-play weekend, we’ll explore the relationship between the time, play, art and focus. Where does time management intersect with open-hearted fun? Expect bubbles, playdough, sparklers, jello, yoga and seeing the world from new angles and attitudes. 

BURNING WOMAN WORKSHOP  August 19-21

Embrace your inner goddess of summertime. Design and make a small art quilt “altar” for kitchen or dining room with tools and materials that depend on heat, sunlight and passionate delight: sun-printing, vegetable prints, fusing, hand and machine stitching and “found” fabrics from attic, thrift store or kitchen closet. We will recycle napkins, tea towels and other like objects and design a thermofax featuring a meaningful symbol, favorite fruit, icon, saint, culinary heroine, angel or other meaningful design as the centerpiece for the altar. (This workshop has an additional $12 fee per person for the altar boxes that the quilts are stretched upon.)

This spring and summer I also will be teaching occasionally at the Southwest School of Art: June 18-19 - From Photo to Fiber (using various techniques to design art quilts from photographs), August 1-5, mornings, New World Kids: for parents wishing to nurture creativity in their children.

OTHER POSSIBILITIES:

Flying or driving in from afar for one of these weekends? Or just want some solo supported work time in the studio? Add one or two days of instruction in the studio for learning techniques that you are interested in. Each custom designed workshop and night’s lodging and meals costs $225 per person. Limit, 2 artists per session Many of Susie’s workshops go on the road! Please write for available dates and fees.

WHAT PARTICIPANTS SAY: 

“A workshop at Susie’s is always money well spent.  I learned techniques I have read about but never tried ... I also now feel confident that I can make art quilts!”

“This workshop was a fabulous, uplifting, nurturing environment to create in. The journaling was particularly helpful, I would definitely recommend it to a friend.”

“This weekend was totally awesome! I am humbled by Susie’s talents, her teaching abilities and her hospitality. I will come back as often as possible.”

 

 

Cook Like an Artist, 1

At Linda's encouragement, I'm starting a new "collection" on this blog of posts about food and how I cook "like an artist." I've had lots of requests from those visiting El Cielo Studio for recipes for the food I serve at the artist retreats -- but, hey folks, I don't measure. So its had me stymied and seemed like way too much trouble to slow down and measure. 

But, as I thought about how I do cook, it occurred to me that I cook the same  way I make art, and I could describe some ideas, some techniques that might be fun for others who want to experiment with flavors. At the very least, I'll clarify to myself, how it is I am thinking when I am playing with food, creating new dishes or variations on old ones.

First, the ground rules. No exact measurements. I'll be general, but usually, the way I cook, you can do a bit more or a bit less. Its why I am NO BAKER. You will find no cakes in this collection. Baking is as much a science as an art, and it takes exact (or more exact) measurements.

Second, think of the color wheel. I cook with a mental "flavor wheel" in mind that kind-of is the taste/smell equivalent of the color wheel. I mix, match and come up with complementary flavors and textures and "notes" that are kind of like mixing and matching and using color in a piece of visual art. I'm not sure how well this analogy will carry throughout, but it's how I'm starting out. For example, an earthy ingredient always needs a spark of the opposite spicy or sour or fruity to bring out the flavor. I always try to have something light, intense and a high-note, with something rich or heavy and meaty. That's why barbeque sauce works.

Think of the "colors" on your flavor wheel as these broad categories of taste: salty, spicy, bitter, sour/acidic, sweet/fruity, earthy, meaty, grain/carbo -- yeah. there are a few more here than the "formal" ones of salty, sweet, bitter, sour, umami. And technically, earthy and meaty are probably both dimensions of umami -- but in my brain, they operate a bit differently. And grain/carbo is as much a texture as a dimension of flavor-- but I didn't promise scientific consistency here.

Texture operates in cooking a bit like value. Intensity exists in flavors, too. Color is color, both literal and flavorful. Let's see how this analogy plays out in the sauce and ravioli I made last night:

Red Ravioli for a Rushed Wednesday

This is a monochromatic sauce with various intensities all in the RED family, with little zaps of green herbs to complement and lift the flavors. 

Sauté in about 1-2 teaspoons good quality olive oil: (Whoops-- basic cooker techniques will slow me down, so look at this link if you don't know what saute means -- and go to this wikipedia outline to find out all you'll ever need to know about cookery techniques) the following in quantities that are interesting to you -- the amounts are just what I did last night, and I'll probably never repeat the dish. I

FROM MEATY RED: 1/2 large homestyle pork/beef smoked sausage, chopped

FROM SWEET/FRUITY RED: 1 large red bell pepper, chopped

and 6 or so chopped sun-dried tomatoes, (if not packed in oil, reconstitute first by soaking in warm water for 10 minutes) IF you only have fresh tomatoes, cut into eighths and add them the last 5 minutes of cooking.

FROM SPICY NEUTRAL/INTENSE: 2 cloves or more of garlic

and SPICY RED/INTENSE a sprinkle of red pepper flakes (or use a splash of Tabasco, black pepper, cayenne)

COMPLEMENTARY FLAVOR FROM GREEN: a handful of chopped herbs, nothing too noted intense or highnoted- -- I used Italian leaf parsley, a few sprigs of thyme, 2 small sprigs of basil (also all from the garden, easy to grow!)

a couple of green onions from the garden, sliced, including tender green tops

Sauté for about 15 minutes on medium heat, stirring occassionally so it doesn't burn, but browns a bit, crisping the herbs. Meanwhile, as the sauce sautes,  cook the ravioli according to the package in boiling water.

At the last 2 minutes of so of sauce cooking, throw on one more RED flavor, smoked paprika, about a tablespoon full, adding EARTHY RED.

Toss with your ravioli and serve with a complimentary green salad including some bitter-sweet-spicy spring greens like arugula or swiss chard or endive, a citrusy vinegar olive oil dressing (more on salad dressings later) 

Grate some fresh Parmesan cheese into large flakes or curls for a garnish, along with another couple of sprigs of parsley.

The way I see it, if you stayed with the basic idea of RED, with a bit of green to complement, you could do this same recipes with lots of different RED meats, different SWEET FRUITY REDS and SPICY reds and serve it on a wide range of carbo/grains.

You can substitute other meaty flavors, or serve it with a different kind of grain/carbo flavor, but I made the sauce to toss with frozen cheese ravioli (one of the freezer staples from Costco). Other ideas -- serve the same tossed with couscous or brown rice, or any other kind of pasta. Or top a big bowl of greens and beans with it.

If you are a vegetarian, leave out  the sausage or add in a red smoked type soy version, or use chicken thighs or  red spiced chicken or turkey sausage if you don't eat pork or red meat.

For example: next week I might try the same formula but using chopped chicken thighs with fresh tomatoes, red onion, earthy brown mushrooms, red peppers and the same spices and herbs. OR it might be interesting to try with sauteed plums instead of tomatoes. Since that's a real fruity flavor, it might need a bit of cinnamon or allspice, too. On couscous or egg noodles, or maybe on spaghetti squash!

 

 

 

 

 

Happy Birthday to Me ...and thanks to all who make it possible

Yes, you, my friends, my family and readers and supporters and sister/fellow artists. Without the support and encouragement of all of you, my life would be far less than what it is. I am fortunate to spend my time in work and play that I am passionate about, intrigued by, immersed in and always learning from. I am grateful for those who sign up and pay for workshops, who buy my art, who find and help me with other gainful employment, always creatively challenging. And for those who read and comment and make my day by passing along a blog post or two.

Today I am spending the day in my usual dance of work and play, making a few phone calls to set up projects (the latest non-art gig is to develop a curriculum for Villa Finale, a National Trust for Historic Preservation property), spending some in the world out there via internet and working on a new quilt design. It is incredibly difficult to realize that I have been on this earth for 63 years -- I still seem to spend most of the time looking out from a 7- or 12- or 28- or 35-year-old brain. Somehow I seem to be all those ages, plus more, all at once.

We spent the Easter weekend with family, my parents in their mid-80s, a whole raft of nieces, nephews and cousins of nieces and nephew, a feast of many hands, a spring (albeit too dry) afternoon with blessings for us all. 

Here's to staying healthy, happy, thankful and playful, and I hope you all join me in a toast to life today and every day. Poetry, welcome.

Spring and Summer Workshops at El Cielo Studios

Here is a link to a downloadable pdf brochure with the dates and topics for new workshops at El Cielo Studios.

files.me.com/susiemonday/rvq162

  It's my pleasure to share my home and studio and a nurturing environment for your creative journey -- and the  workshop is less than what you'd spend for a bed-and-breakfast weekend alone! I hope to see you sometime this spring or summer for a weekend of inspiring and creative work and play here in the beautiful Texas Hill Country.

Nurture your creativity as you come away from a weekend with renewed energy, new  materials and techniques in surface design applicable to fiber, ceramics, jewelry, painting and mixed media work. Susie Monday leads artists’ retreats and workshops throughout the year at her studio near Pipe Creek, Texas, about an hour from downtown San Antonio. 

El Cielo Studio workshops are designed with the needs of the participants in mind;  free time is scheduled throughout the weekend for reading, reflection and personal work in the studio. You are welcome to bring projects in process for Susie’s critique and for peer feedback in an environment of trust and respect. You’ll share meals, poetry and stories, music and advice for living an artist’s life. Enjoy the 25-mile vistas from the deck and strolls down the country roads. A spa and pool, and large screen media room are also available to participants. The fee for each workshop retreat is $175 for a 2-day event with discount for early enrollment. Comfortable accommodations (double and single rooms with baths and shared bath rooms) and meals are available from $15 - $30 per workshop. Most supplies included. Call 210-643-2128 or econtact me through the email form on the sidebar of this blog.

Sign up early (at least 30 days in advance with a $25 deposit) for a $15 ndiscount on the $175 fee. Workshops generally start with an optional Friday night potluck and fun activity or two, then continue through 3-4 pm on Sunday afternoon. Most supplies included.

MARKMAKING, MAKING YOUR MARK

May 13-15

Markmaking can be what distinguishes one person's work on paper or fabric from another's - their personal style. Using color, line, shape, rhythm and textures, students will explore traditional and new media as well as techniques for personal markmaking. Techniques to be covered include deconstructed screenprinting, stamping, using paint sticks and monoprinting with gelatin plates. No matter what your experience level, you'll gain confidence in working with layered media and find your strongest media for the marks that make your work unmistakably your own. 

UFO WORKSHOP

June 3-5

UFO, “unfinished fiber object.” Bring along work that needs finishing, needs one more layer, needs some concentrated time and attention (or work that’s stuck for need of constructive critique). Enjoy the resources of the studio and the advice and support of peers. We’ll customize the techniques to the tasks at hand.

PLAY, ART AND ATTENTION

July 29-31

Making time to play with odd-ball materials; learning to focus upon artful tasks at hand -- sounds like opposite sides of the coin? At this exploratory and full-of-play weekend, we’ll explore the relationship between the time, play, art and focus. Where does time management intersect with open-hearted fun? Expect bubbles, playdough, sparklers, jello, yoga and seeing the world from new angles and attitudes. 

BURNING WOMAN WORKSHOP

August 19-21

Embrace your inner goddess of summertime. Design and make a small art quilt “altar” for kitchen or dining room with tools and materials that depend on heat, sunlight and passionate delight: sun-printing, vegetable prints, fusing, hand and machine stitching and “found” fabrics from attic, thrift store or kitchen closet. We will recycle napkins, tea towels and other like objects and design a thermofax featuring a meaningful symbol, favorite fruit, icon, saint, culinary heroine, angel or other meaningful design as the centerpiece for the altar. (This workshop has an additional $12 fee per person for the altar boxes that the quilts are stretched upon.)

OTHER CLASSES 

This spring and summer I also will be teaching occasionally at the Southwest School of Art: June 18-19 - From Photo to Fiber (using various techniques to design art quilts from photographs), August 1-5, mornings, New World Kids: for parents wishing to nurture creativity in their children.

I am also teaching a course for teachers: Fiber Arts for the Classroom at Southwest School of Art on July 23-24 (The wrong date is in the SSA catalog, I had to change the date after it was printed.)

 OTHER POSSIBILITIES:

Flying or driving in from afar for one of these weekends? Or just want some solo supported work time in the studio? Add one or two days of instruction in the studio for learning techniques that you are interested in. Each custom designed workshop and night’s lodging and meals costs $225 per person. Limit, 2 artists per session Many of Susie’s workshops go on the road! Please write for available dates and fees.

WHAT PARTICIPANTS SAY: 

“A workshop at Susie’s is always money well spent.  I learned techniques I have read about but never tried ... I also now feel confident that I can make art quilts!”

“This workshop was a fabulous, uplifting, nurturing environment to create in. The journaling was particularly helpful, I would definitely recommend it to a friend.”

“This weekend was totally awesome! I am humbled by Susie’s talents, her teaching abilities and her hospitality. I will come back as often as possible.”

 


Sitting and staring

Today, I'm reminded of the baseboall great Satchel Page's oft quoted," Sometimes I sits and thinks and sometimes I  just sits." An unexpected delay of a work-related appointment has given me the gift of a hitherto unplanned afternoon. Yes, the studio needs a good sort. The garden is (perhaps riskily) calling for seeds. I have really been planning to go through and file all the piles of receipts and GET MYSELF ORGANIZED for the new year (hardly new anymore, you might note). 

But I find myself sitting and looking out into damp, gray between-winter-and-spring air and light and I just sit.

Sometimes its good to sit.

The creative life is full of adventure (even if it only shows up on the inside of your eyeballs.) When one is a self-employed artist, there is the ever present tension between amking art and making a living and it takes a lot of juggling to keep it together sometimes. I, like many of us, simply like action, I live at full-speed-ahead.

And then I sit.

You (I) need both. You (I) must let minutes wash over us when we can. Remind ourselves that time is finite; in 100 years (unless Singularity DOES come to pass, or the Mayan calendar ends us all in a bang) everyone you know and everyone you don't know who is walking around here on earth will be gone. And so, no matter how important it all seems, it is just a drop in the bucket when you look at the big picture. So let the drops fall where they may for a few hours. Sit. think. or just sit.

One thing I am thinking about is some of the thought about romance that I am reading in Barbara Lazear Ascher's wonderful book Isn't it Romantic; Finding the magic in everyday life. Here's a quote to ponder as you sit today:

"The romantic has to believe the bread crumbs were left as a trail, that the dots will make a whole....Faith doesn't require answers but a trust that if we dare reach out a hand another one, unforeseen will receive it. That we will be made whole. The ulitmate romance. Exactly as Michelangelo painted it in the center of the Sistine Chapel ceiling."

And Yes. I am puttering around in the studio today and making some progress on the annual clean, sort and toss that I force myself to do in order to avoid a manditory appearance on some reality show or another devoted to hoarding. But I am doing so very, very softly. Like the air and the gray heavy skies. Like the seeds underground waiting for the next increment of warmth. Reminding myself to think a bit about the spiraling fossil of an ammonite once alive, then dead, buried turned to stone, washed up again on a different shore.

(P.S. Speaking of nature, the next El Cielo studio retreat/workshop is almost full-to-the-brim. If you are thinking about attending  send me an email through the contact form on the sidebar. $160 if you pay before March 1. Potluck on Friday night through Sunday afternoon, most supplies included.)

View from home and El Cielo Studio.

 

NATURE-INSPIRED SURFACE DESIGN

March 25-27

Find color, shape, form and inspired design for new surface design tools at this spring-is-sprung weekend in the blooming Texas Hill Country. We’ll do sun prints, leaf-inspired thermofaxes and screenprinting with dye, flour paste resist and more.

Pop-Up Adventure Playgrounds

Doesn't this just make you want to go and play?

"On October 3, 2010 as representatives of the New York Coalition for Play, we brought giant cardboard tubes, string, swaths of bright fabric, boxes, a broken set of blinds and lots more to host a Pop-Up Adventure Playground at The Ultimate Block Party in New York City’s Central Park.  Some of the adults who came were a little skeptical at what they saw as the mess and chaos of the place, but children immediately understood that it was for them.

“You can do anything you want with anything here,” we said.  They gave one businesslike nod, then set to making a series of dens, thrones, obstacle courses and musical instruments.  They made new friends, and there, in the middle of the city, they made a beautiful ruckus.

Over the day the crowds of children ebbed and flowed, cardboard cities rose and then were felled by play earthquakes.  Play was tidal, following its own rhythms and signals, producing eddies of deep and rich play.  Within the 17 x 81 ft. Pop-Up Adventure Playground, children created a thousand tiny worlds."

I've been trolling around as I work on a resource book and report for the International Program SEED that I work with at Palo Alto College. I want to have one of these at my house (for grownups!).

http://popupadventureplay.wordpress.com/example/

The BIg Freeze, and the Studio Thaw

Its COOOOLD outside. Guess that's the state of the union. We had rolling blackouts yesterday, but "they" seem to have figured out the grid for now. And, dispite dripping the tub, the water in the house is frozen, nothing to do but wait for the thaw (tomorrow it will be 43) and hope for the pipes' best. We've never had pipes freeze before so this is a major distraction and anxiety (i foresee torrents of water coming down from the attic). I am glad there is no El Cielo workshop going on! At any rate, send me pipe fairy prayers and, gee, while we are at it, if its going to be this dadburn cold can't we muster up a little snowfall tonight? Just a bit. Just to make the visuals complete.

However, while the freeze is going on its business, I have had some extended time in the studio (where the water still works). And that has been wonderful. It's a creative thaw I've been anticipating and hoping for. The place is still a mess from teaching supplies in and out, but instead of being my (yeah, right) regular neat and orderly person, I just cleared a workspace and dove in.

The piece I am working on is one that's been in my head for a long while, since working on collage examples for the Text on the Surface workshops. I discovered it when I took everything out for the Southwest School class this past Monday. There have been several calls for entries that I want to respond to, and at least one of them had to do with working outside of one's comfort zone (SAQA, I think) and another one has a theme that fits the collage perfectly. So rather than do my usual work-on-the-table improvisation, I actually made a paper pattern, am printing some of the elements, cutting others, and will have this big text based piece done by the end of the week I hope.

So, stepping out of my usual narrative, goddessy, archetypal themes, this one will be modernism, pure and simple (sort of). Its quite scary to spend time on something so different (though I have been ooching toward more formal, abstract work for a little while) but I suspect I have to do so this time in order to renew something important, to step beyond my own pictures of my own work, and to take a chance. That was the thaw I needed in order to get myself back to the design table in an authentic way.

So what about you? I'd love to know what risky business you are trying for your own creative thaw.